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ALESIS DM5 REFERENCE MANUAL Pdf Download | ManualsLib.Alesis dm5 manual download
Page 10 Obtaining Repair Service Page 1: Setting Up The DM5 comes with a power adapter suitable for the voltage of the country it is shipped to either or V, 50 or 60 Hz. For more information about setting up the External Trigger parameters in the DM5, see pages 18 through 22, and Chapter 6.
Upon power-up, the DM5 will recall the last selected Drum Set, and will display the page that was last selected. Page What's A Drum Set When you select a Drum Set, all of its sounds and parameter settings are recalled to recreate the original kit.
The DM5 provides up to 21 internal Drum Sets. A Drum Set contains 61 notes. Each note is assigned a voice. Each voice is an actual digital recording, called a sample. There are many other parameters of a Drum Set we may wish to edit, however. Refer to Chapter 4 for more information about editing. These are permanently stored in ROM Read Only Memory , so even if you edit one of them or replace one by storing a Drum Set into its memory location, you can recall any of the original presets whenever you want.
Page Example 1: Using Amidi Keyboard when the keyboard is set to that channel both the DM5 and the other device s will be played simultaneously. If the sequencer is echoing back what it receives from the DM5, it is not necessary for the external triggers to directly play the DM5, since this would result in each note being played twice once by the trigger and then again when the note is echoed back by the sequencer. For example, connecting 8 DM5s would provide note polyphony.
Page External Triggers Gain. This is the signal strength that the transducer is sending to the triggers in the DM5. With the gain threshold set too low, soft hits may never be recognized. Page 25 For average play, hits ranging from very soft to very hard the default setting of 4 will give you the full range of sensitivity which corresponds to MIDI velocities 1 through Note: Velocity Curve 0, Unassigned, is fully explained on page DM5 Reference Manual Page 26 The factors that most effect the performance of triggers will be your hardware configuration, the different types of pads or drums being used, and the environment in which you will be using the DM5.
Crosstalk Note: In our Crosstalk scenario we will use two pads, a snare pad and the tom 1 pad, both mounted on a single stand. Page 27 At times the tom 1 and the tom 2 pad are triggering when not being played. This is because the DM5 is interpreting the signals from the stand vibrations as hits.
By adjusting the Noise parameter the DM5 can determine which signals are vibrations caused by the surrounding noise level, and which signals are actual hits.
Page Footswitch Hookup If your footswitch seems to respond backwards notes sustain unless the footswitch is pressed , turn off the DM5, make sure the footswitch plug is fully inserted into the footswitch jack, then turn the power back on.
Page Reading The Display When a trigger is struck lightly, the level indicator will move only slightly from left to right. Use this indicator when adjusting the Gain parameter for each of your triggers. For more information about each Function button, see pages 28 though This will only happen if the sending device DM5 Reference Manual Values are variable from 00 to The DM5 has two pairs of stereo outputs.
Drum sounds can be assigned to either pair of outputs as described in the following section, and placed anywhere within the stereo field of the assigned outputs via the pan function. Page 36 DM5. Otherwise, some of the sound from one drum will leak into the other output.
Page Drum Set The classic use of this is with hi-hats; a closed high-hat will cut off an open hi-hat, and hitting an open hi-hat sound will cut off a closed hi-hat. When the Root Note is altered, all drum note and trigger assignments shift together along with it in parallel. This data can go to another DM5 or to a MIDI system exclusive storage device, a computer running System Exclusive storage software, or a musical instrument capable of recording System Exclusive data.
This is important if you are upgrading from a D4 to the DM5, since you can transfer the Trigger Setup information instead of setting it up manually from scratch. Page Xternal Riggering It may take considerable experimentation to achieve reliable triggering…then again, it may not.
Page About Trigger Parameters or drum will trigger from stand or head vibrations. This is how it works: First, you strike a pad and the DM5 triggers its sound. Before the DM5 will play this softer signal, it will scan the other inputs to determine whether this was a legitimate hit, or simply a vibration from a stand or head.
Study the assembly and hookup diagrams below. Each piece of the drum kit is assigned a letter and you should have the following: A. Pads 5 total These pads are used to trigger sounds from the DM5 module. Page 6 Your DM5 Drum Kit should also include the following pieces in order to assemble the drum rack. Like the main components of the drum kit, each part of the rack is assigned a letter.
The diameter and length is listed next to each piece. The rack includes the following Tighten all thumb screws to be finger-tight. At this point you can adjust the height and position of the various components to suit your playing style. If you wish, you can even re-arrange the drum pads differently from what is shown below.
The inputs on the rear of the DM5 module are labeled hi hat, kick, snare, etc. Connect each pad to its corresponding input. This is done through a small screw found on the bottom of the pedal. Use a Phillips-head screwdriver to adjust the tension on the pedal. La caja debe contener lo siguiente. Apriete todos los tornillos con la mano. Conecte cada pad a la entrada correspondiente.
Page 21 A. Folgende Bestandteile sollten Sie haben: A. Wie auch die anderen Kit-Bestandteile, ist jedes Teil mit einem Buchstaben markiert. Ziehen Sie alle Schrauben handfest an. Verbinden Sie jedes Pad mit dem jeweiligen Eingang. Wenn Sie die Schraube in Uhrzeigerrichtung drehen, wird die Federspannung fester. In umgekehrten Uhrzeigersinn ist die Spannung leichter. Page Manuale Rapido Di Utilizzazione Italiano Manuale rapido di utilizzazione Italiano Page 36 Esaminare attentamente gli schemi di montaggio e di collegamento sottostanti.
Una volta collegato tutto, accendere tutti i dispositivi.
Download Alesis DM5 Reference Manual | ManualsLib.Alesis dm5 manual download
Also See for DM5 Quick start owner's manual - 42 pages Quick reference manual - 2 pages Supplementary manual - 2 pages. Table Of Contents. Quick Links. Table of Contents. Previous Page. Next Page. Alesis D4 Service Manual 39 pages. High-definition drum module with dynamic articulation 25 pages. Premium ten-piece electronic drum kit with mesh heads 81 pages. High-definition drum module with dynamic articulation 52 pages. High-definition drum module with dynamic articulation 48 pages.
This section provides a brief tour of the DM5, shows you how to audition the various sounds of the DM5, and points out the various performance features. Page 8 DM5 Reference Manual Page 9: Table Of Contents 3: C Page 10 Obtaining Repair Service Page 1: Setting Up The DM5 comes with a power adapter suitable for the voltage of the country it is shipped to either or V, 50 or 60 Hz.
For more information about setting up the External Trigger parameters in the DM5, see pages 18 through 22, and Chapter 6. Upon power-up, the DM5 will recall the last selected Drum Set, and will display the page that was last selected.
Page What's A Drum Set When you select a Drum Set, all of its sounds and parameter settings are recalled to recreate the original kit. The DM5 provides up to 21 internal Drum Sets. A Drum Set contains 61 notes. Each note is assigned a voice. Each voice is an actual digital recording, called a sample.
There are many other parameters of a Drum Set we may wish to edit, however. Refer to Chapter 4 for more information about editing. These are permanently stored in ROM Read Only Memory , so even if you edit one of them or replace one by storing a Drum Set into its memory location, you can recall any of the original presets whenever you want.
Page Example 1: Using Amidi Keyboard when the keyboard is set to that channel both the DM5 and the other device s will be played simultaneously. If the sequencer is echoing back what it receives from the DM5, it is not necessary for the external triggers to directly play the DM5, since this would result in each note being played twice once by the trigger and then again when the note is echoed back by the sequencer.
For example, connecting 8 DM5s would provide note polyphony. Page External Triggers Gain. This is the signal strength that the transducer is sending to the triggers in the DM5. With the gain threshold set too low, soft hits may never be recognized. Page 25 For average play, hits ranging from very soft to very hard the default setting of 4 will give you the full range of sensitivity which corresponds to MIDI velocities 1 through Note: Velocity Curve 0, Unassigned, is fully explained on page DM5 Reference Manual Page 26 The factors that most effect the performance of triggers will be your hardware configuration, the different types of pads or drums being used, and the environment in which you will be using the DM5.
Crosstalk Note: In our Crosstalk scenario we will use two pads, a snare pad and the tom 1 pad, both mounted on a single stand. Page 27 At times the tom 1 and the tom 2 pad are triggering when not being played. This is because the DM5 is interpreting the signals from the stand vibrations as hits.
By adjusting the Noise parameter the DM5 can determine which signals are vibrations caused by the surrounding noise level, and which signals are actual hits. Page Footswitch Hookup If your footswitch seems to respond backwards notes sustain unless the footswitch is pressed , turn off the DM5, make sure the footswitch plug is fully inserted into the footswitch jack, then turn the power back on.
Page Reading The Display When a trigger is struck lightly, the level indicator will move only slightly from left to right. Use this indicator when adjusting the Gain parameter for each of your triggers.
For more information about each Function button, see pages 28 though This will only happen if the sending device DM5 Reference Manual Values are variable from 00 to The DM5 has two pairs of stereo outputs.
Drum sounds can be assigned to either pair of outputs as described in the following section, and placed anywhere within the stereo field of the assigned outputs via the pan function. Page 36 DM5. Otherwise, some of the sound from one drum will leak into the other output.
Page Drum Set The classic use of this is with hi-hats; a closed high-hat will cut off an open hi-hat, and hitting an open hi-hat sound will cut off a closed hi-hat. When the Root Note is altered, all drum note and trigger assignments shift together along with it in parallel. This data can go to another DM5 or to a MIDI system exclusive storage device, a computer running System Exclusive storage software, or a musical instrument capable of recording System Exclusive data.
This is important if you are upgrading from a D4 to the DM5, since you can transfer the Trigger Setup information instead of setting it up manually from scratch. Page Xternal Riggering It may take considerable experimentation to achieve reliable triggering…then again, it may not. Page About Trigger Parameters or drum will trigger from stand or head vibrations. This is how it works: First, you strike a pad and the DM5 triggers its sound.
Before the DM5 will play this softer signal, it will scan the other inputs to determine whether this was a legitimate hit, or simply a vibration from a stand or head. Signal 1 is a legitimate hit from the snare pad. Signal 2 is the Tom 1 pad, but it is not a hit. It is the pad being triggered by stand vibrations from the first snare hit. Signal 3 is a second "real" Page 48 Nois. The Noise floor is the signal level threshold a vibration or sound must exceed before it can trigger a drum sound.
When selecting lower values, very soft signals hits will trigger the DM5. But there is a difference. Page Trigger Note Assignment Example: A hard hitting player might have a difficult time in playing the softer velocity sounds available in the DM5 due to the high impact of most of his hits. Page Crosstalk Start by slightly lowering the Gain setting for the pad. This should make it possible to lower the Xtalk value, which will allow the pad sensitivity to increase.
With some experimentation and time, you should be able to find the right combination. Page Decay You can use either a normally closed or normally open momentary contact footswitch.
Page Tips On Triggering From Acoustic Drums It simply takes a lot of experimentation to arrive at the correct combination for the type and size of drum, and the drum kit configuration you are using. These tips will help you get started with a step in the right direction. Page 56 Placement of the trigger should be on the players side of the drum, within a lug or two of where the stick would hit if you played a rimshot.
Use a mid to high sensitivity setting if the trigger has an adjustment. Page Muffling Always check to be certain that none of your stands or drums are leaning up against, or touching any other drums or piece of hardware.
To sum it up, the more heavy-duty your hardware is, the better. Page Appendix Disconnect any cables connected to the MIDI IN jack, and make sure that a sequencer or keyboard is not sending messages to the DM5 that would make it behave erratically such as a long stream of pitch bend messages on 16 channels simultaneously. In the mids, microcomputers became inexpensive enough to be built into consumer-priced musical instruments.
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